Pixies » Where Is My Mind?
(Source: braille-to-the-night, via nelsonmandela)
Everyone keeps asking me if I am okay, if things are getting better.
Usually I just say yes, because more then half of the time they don’t really care what my response is any way.
What I really want to say is, “Things aren’t getting better, I’m just simply trying to get by. It feels like someone has ripped out half of my soul, put it on a plane, and made it live across the world for a couple of months. Just to see if I could make it, if we could make it. Am I doing well? No. I am simply getting by. Because I cannot crumble, as much as I want to. I HAVE to be strong, I HAVE to wait. There is no other choice.”
Counting down the days until I see you again my love (96), but until then I am here, going through the motions, playing my part. And it all seems like such a waste without you by my side.
(Source: odd-sock, via alotlikelove)
i mean lawd knows he’s not a a perfect angel but cotdamn if this dude is not fly as hell
(via alcoholicgifts)
"So I wait for you like a lonely house
till you will see me again and live in me.
Till then my windows ache.
"
(Source: mojitosandblow, via misswallflower)
zbtw:
as i’m swimming through the stereo, i’ll conduct a symphony of sound.
where are you now?
i’m cutting through you track by track, i swear to god this mix could sink the sun.
but it was you i was thinking of.And I can’t get to you
(Source: pitchblackglow)
(Source: staybrutalalex, via bastardfromabasket)
(Source: youjustyou, via anditslove)
(via anditslove)
Glowing Silhouettes Made of Thousands of Sun Streaming Pinholes. “Bucklow begins by projecting the shadow of his sitter on a large sheet of aluminum foil and tracing its outline. He then makes about twenty thousand small pinholes in the foil silhouette (one for each day of the average human lifespan). Using a contraption of his own device that places the foil over a large sheet of photographic paper, Bucklow wheels his homemade ‘camera’ out into daylight and pulls the ‘shutter’ to briefly expose the paper to direct sunlight. Thus each finished picture becomes a kind of photogram silhouette composed of thousands of pinhole photographs of the sun. The intensity of light on a given day and the length of exposure create unique color variations on how the resulting piece appears.” Christopher Bucklow
(via beyondneptune)
